Until such time when a certain bleeding-edge technology provides shallow depth-of-field no longer dependent on the optics of large pieces of glass in a tube, you can immediately graft said glass tubiness onto your wee iPhone using Photojojo’s iPhone SLR Mount.
Will this eventually allow for shallow depth-of-field without the need for large lenses full of pieces of glass? Tiny, smartphone lens images manipulated into focal lengths of various lenses. Obsoleting iPhone accessories like Olloclip and the SLR Mount.
ot to be confused with the world’s smallest stop-motion animation character which happened to have been shot with a Nokia N8 smartphone, Dot is an eyeball attachment for the iPhone 4 that allows you to shoot video in 360 degree panoramas.
The Oona looks like a useful tool for rigging up your iPhone in tight shooting situations or as a car mount.
Official video from Sony on their is a new E-mount professional camcorder the NEX-FS100E. The unit comes equipped with a Super 35mm motion picture sensor and is a further addition to Sony’s 35mm line-up.
This is the pro alternative to the NEX-VG10.
Nigel Cooper at DVuser has an extensive review of the Sony NEX-FS100E, and the conclusions he draws are not good…
With one of only two prototype NEX FS 100 cameras in the world, Den Lennie walks you through the newest model in Sony’s prosumer line. The video also includes test footage in the form of a music video.
The Glif was designed to be small, simple, and elegant. This must-have piece of gear for any iPhone 4 user and video shooter got its humble start on the web pages of Kickstater.
This guide is the first in a series of upcoming educational initiatives that B&H Photo Video plans to offer and our cinematographer pal Christopher Gallo who shot on our corporate film for Harman International was a contributor to the project.
Sony announced their first interchangable lens consumer camcorder the NEX VG10. Release date is set for September retailing at $2000 (including 18-200mm kit lens worth $800) and you can pre-order today. The camera records 1920x1080i in AVCHD at 24Mbit and can record high quality 14MP stills. But just what is missing from this camera that makes it miss the mark as unseating DSLRs?
Rugged, compact and versatile for great video sound, the MKE 400 is a small shot gun microphone for cameras with a lighting shoe mount and external microphone input.
Zeiss ZF lenses were designed for use with analog and digital single-lens reflex (SLR) cameras. They are focused manually, and their exceptional color control allows for extraordinary high contrast pictures without any color fringes, providing brilliant results under all lighting conditions.
Zeiss ZF lenses were designed for use with analog and digital single-lens reflex (SLR) cameras. They are focused manually, and their exceptional color control allows for extraordinary high contrast pictures without any color fringes, providing brilliant results under all lighting conditions.
Zeiss ZF lenses were designed for use with analog and digital single-lens reflex (SLR) cameras. They are focused manually, and their exceptional color control allows for extraordinary high contrast pictures without any color fringes, providing brilliant results under all lighting conditions.
The Nikon 105mm f1.8 Lens is sharp all around on all apertures — if a little heavy in and of itself!
The Nikon 50mm f/1.4 is a secret weapon for low-light photography. Far more important than a fast ISO speed is the ability to gather light, which this lens does extremely well.
This 7-element 28mm f/2.8 AI was Nikon’s most popular wide angle lens from 1974-1981. It’s sharp, fast and works great on film and FX cameras.
This Tokina 11-16mm is the world’s fastest and sharpest ultrawide lens for small format digital cameras. Considering its bargain price of under $600, its the world’s best ultrawide lens for digital SLRs.
