Always a risk-taker, George Spyros shot his first 16mm short Par King entirely without sound and then over-dubbed by different actors none of whom were in the same room at the same time.
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Always a risk-taker, George Spyros shot his first 16mm short Par King entirely without sound and then over-dubbed by different actors none of whom were in the same room at the same time. The director’s decision not to show more than one c
